Academia and the Bingo Card

Juliet Conway | 20 March 2017

While in a group of 8 PhD students recently, I discovered just how bad we all are at summarising our research. Our topics, on which each of us could wax lyrical for hours, cannot fit into a succinct summary, not at least without using several 5-syllable words. I am equally guilty of this. I try to get around the issue with a one-word answer. ‘What do I study?’: ‘Flirting’. It works, and usually gets a laugh or a politely bemused look. But if you ask me to extrapolate you’ll probably regret it. My arguments, which would (hopefully) sound eloquent and comprehensive in 100,000 words, become jumbled, convoluted and frankly indecipherable when squeezed into a few sentences. The questioner’s eyes start to glaze at the word ‘dichotomy’ and as I try falteringly to explain how flirts use intentional ambiguity to undermine notions of authority, I know I’ve already lost them.

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Does soundbite culture harm research, or help it?

July 25, 2016 | Louise Adams

It is widely agreed that we live in a ‘soundbite culture’, one which prioritises short, punchy forms of communication. From the TED-Talk to the tweet to the emoji: quick and concise means immediate impact, and immediate impact means value in the present. But what should the relationship be between soundbite culture and the academy?

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Authors, Readers and the Ethics of Imagination

May 16, 2016 | Sarah Stewart.

Roland Barthes’ influential essay ‘The Death of the Author’ presents a compelling argument against prevailing attitudes about literature that Barthes sees as ‘tyrannically centred on the author’ (260). Instead of attributing definitive meaning to what the author intended, Barthes advocates for the unity of a text being what any given reader makes of it. This reader brings their own experience and identity (whatever that might be) to author their own interpretation of the words on the page. Barthes’ liberation of text and reader by locating the ‘true place of writing’ (262) solely in the latter opens up the possibilities of meaning in texts which, he argues, should not be fixedly possessed by the person of the author.

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Transferable Skills: A Fool’s Gold?

April 18, 2016 | Matthew Tibble.

A recent post on the brand-new SGSAH blog highlights a growing trend amongst those seeking to acquire ‘transferable skills’, namely, finding the component parts of your everyday activities in order to apply them in new fields and make them applicable to whatever jobs you apply for. As the piece points out, correctly, transferable skills are now essential criteria for success on the increasingly diverse job market. But this transferable skills trend also encourages a tendency to forget that, at best, these skills are supplementary to targeted, job-specific knowledge or experience.

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Reading Between the Panels: Comics and Critical Theory

November 9, 2015 | Tom Sewel.

How do we read comics? How are the ways in which we read comics changing? For most of their history, the ways in which we have read and talked about comics has been left to comics fandoms to decide. While this has produced a passionate proliferation of reading approaches, it has meant that critical rigour has only very rarely been brought to bear on this uniquely multi-modal narrative form. With the academy’s relatively recent acceptance of comics as literature, this public conversation is now seeing a seismic shift.

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