Academia and the Bingo Card

Juliet Conway | 20 March 2017

While in a group of 8 PhD students recently, I discovered just how bad we all are at summarising our research. Our topics, on which each of us could wax lyrical for hours, cannot fit into a succinct summary, not at least without using several 5-syllable words. I am equally guilty of this. I try to get around the issue with a one-word answer. ‘What do I study?’: ‘Flirting’. It works, and usually gets a laugh or a politely bemused look. But if you ask me to extrapolate you’ll probably regret it. My arguments, which would (hopefully) sound eloquent and comprehensive in 100,000 words, become jumbled, convoluted and frankly indecipherable when squeezed into a few sentences. The questioner’s eyes start to glaze at the word ‘dichotomy’ and as I try falteringly to explain how flirts use intentional ambiguity to undermine notions of authority, I know I’ve already lost them.

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Remembrance of Novels Past: Nicholson Baker’s “Memory Criticism”

Richard Elliott | 6 March 2017

From the masterpieces of Marcel Proust and Virginia Woolf to recent classics such as Julian Barnes’s The Sense of an Ending, the subject of memory has exercised some of the finest minds of modern literature. Indeed, think of the last novel you read and chances are that a good deal of the narrative was devoted to memory, whether in the form of childhood memories (as in Zadie Smith’s Swing Time), traumatic memories (Eimear McBride’s The Lesser Bohemians), or, more atypically, prenatal memories (Ian McEwan’s Nutshell).

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The Contemporary Citizen in Fatma Aydemir’s Ellbogen

Charlotte Kessler | 6 March 2017

Fatma Aydemir’s debut novel Ellbogen (2017) addresses the experiences of immigrants in Germany in the face of the current political and social climate. ‘Ellbogen’ is German for ‘elbow’ and refers to the pressures in society that cause people to elbow their way to the top in order to be successful. The novel is a striking portrayal of the second generation of immigrants, who are often the children of so-called ‘guest workers’. It captures sensations such as loneliness, alienation and the search for belonging, which Aydemir does through telling the heart-warming story of a teenage girl of Turkish descent living in Germany and by using the colloquial language of Turkish teenagers who mix German and Turkish slang. The observation of migration experience does not end there. There are various situations and characters that lend themselves to an analysis in regard to Claire Sutherland’s chapter on citizenship and migration in Nationalism in the Twenty-First Century (2012).

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Reading As If To Live

Tess Goodman | 6 March 2017

In Fun Home, Alison Bechdel describes learning the word “lesbian” from the dictionary at age thirteen (74). As she ages, she finds one book after another that explore this word, leading eventually to two realizations: one, that she “could actually look up homosexuality in the card catalog,” and two, that she herself is a lesbian (75). For her, the former discovery is the catalyst for the latter, which she calls a “revelation not of the flesh, but of the mind” (74). Her reading reveals a larger world, bringing her into touch with herself.

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Classroom Mental Health: A Testimony

Scheherazade Khan | 20th February 2017.

TW: assault and mental illness.

What is it like to come across descriptions of trauma and mental health in academia as a survivor of assault? I’ve been thinking about my experience regarding this a lot recently. The University of Edinburgh held this year’s Mental Health and Wellbeing Week the first week of February, which coincided with the sixth anniversary of my assault, an event that initiated my own awareness of my mental health.

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John Green, Genre Fiction, and the Influence of David Foster Wallace

Bradley Copper | 6 February 2017

John Green isn’t the first Young Adult writer you’d associate with the labyrinthine depths of American postmodern fiction, let alone with the onerous figure of David Foster Wallace. The combination of Green’s happy-go-lucky YouTube persona and the explosive popularity of his cancer novel-turned-teen romance The Fault in Our Stars (2012) has made Green the figurehead of a supposedly adolescent romantic fandom. To anybody who digs a little deeper, the above characterisation of Green’s online community is condescending at best—it is also untrue (‘Nerdfighter Census’).

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